The Great
Depression of the 1930s was an era of such extreme poverty and dramatic
economic decline that it remains permanently etched on our collective psyche.
One major reason
for the lasting impression made by the most widespread and deepest depression of
the 20th century is that it coincided with the growth of photography as an art
form and the period was well-documented as a result.
One of the most
famous American photographers documenting the era was Walker Evans, who’s
beautiful and sometimes haunting photographs captured such detail and emotion
that the subjects feel more alive and closer to the present than the past.
During a decade of
profound transformation, Evans created a collective portrait of the Eastern
United States through his work for the Farm Security Administration that now
acts almost as a Modernist history of photography.
The 2013
installation of Walker Evans' work maintains the bipartite organization of the
originals: the first section portrays American society through images of its individuals
and social contexts, while the second consists of photographs of American
cultural artifacts - the architecture of Main streets, factory towns, rural
churches, and wooden houses.
The pictures
provide neither a coherent narrative nor a singular meaning, but rather create
connections through the repetition and interplay of pictorial structures and
subject matter.
Not my own work copied from varies of websites


No comments:
Post a Comment